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The Human Scale of Things

  • Jul 27
  • 6 min read

After 4,205 miles across America, I found that distance has a curious way of bringing what matters closer.

I recently drove 4,205 miles because apparently, I still think that's a perfectly reasonable thing to do.


Friends questioned my judgment and my jeep questioned my judgment somewhere around Detroit. I questioned my judgment once I realized gas station pretzels had quietly become a major food group.


Still, I'd do it again tomorrow.


People assume a road trip is about getting somewhere. I've become convinced it's about becoming someone slightly different by the time you arrive.


Flying has never done that for me. Flying is efficient.


Driving is attentive. It asks you to notice things. Once my eyes slowed down, the rest of me eventually followed. Not dramatic things. Ordinary things.


Like how every small town seemed to have one enormous fireworks store that had somehow survived generations and recessions. Or how some states stretched miles of highway with billboards while the buildings themselves remained few and far between. I noticed the moment the roads slipped beneath the tree canopy in Arkansas. After hours of navigating the perpetual construction and concrete of Texas, the shade felt almost medicinal.


Even the cities seemed to have personalities of their own. Some greeted you with curiosity and easy conversation. Others held you at arm's length, quietly deciding who you were before inviting you in. 


Nothing remarkable. Yet somehow all of it was.


My schedule slowly stopped introducing itself. There wasn't much left to optimize. I wasn't answering emails, solving problems, or wondering whether I was using my time wisely.


I was simply driving.


I've noticed this before. Long stretches of highway seem to loosen something in my thinking. Creative ideas arrive without knocking. A small reading house on an abandoned runway. Three new essays. A drawing series. New music licenses. A Japanese-inspired garden. An entirely unreasonable museum concept. A nonprofit I'll probably spend the next decade trying to explain to accountants and my husband.


Thankfully there was no one riding shotgun to remind me that one lifetime might not be enough.

The windshield slowly stopped feeling like glass. It became a blank page. Some ideas stayed. Others drifted away as quietly as they arrived. I never feel obligated to keep them all. I simply try to make enough room for them to visit.


Somewhere between Missouri and Illinois I noticed something else. The road had quietly returned the world to human scale. Not because anything out there had changed.


Wars hadn't ended. Politics hadn't become more reasonable. The headlines were still waiting for me every morning.


What had changed was my field of vision. Suddenly the road had made room for everything else again. Family. New friends and old ones. Hotel bars where conversations stretched longer than expected. Museums. Independent bookstores. Waitresses who somehow anticipated an empty coffee cup before I did. Cashiers curious where I was headed next. The world felt populated again, not by issues, but by people. 


One afternoon I wandered through Crystal Bridges Museum of American Art. True to form, I ignored the suggested route and started at the end. It wasn't strategy. It was instinct.


Beginning in the lower galleries meant I immediately noticed something I would have completely missed otherwise. A drone quietly washing the museum's soaring glass walls.


I smiled, pulled out my phone, and sent a short video to my son, who's a drone pilot.


That tiny moment changed the entire visit. The museum was no longer about art. It had quietly become about connection. 


It struck me that I hadn't come to Arkansas expecting to think about my son. Yet there he was, folded into the experience by something as ordinary as a maintenance drone. It reminded me that attention has a way of collapsing distance.


Walking upward through the museum felt almost meditative. Morning light filtered through walls of glass, changing each gallery as clouds drifted overhead. Concrete, wood, water, and forest seemed less like separate elements than one continuous experience. I found myself lingering longer than I normally would, not because I wanted to see more art, but because someone had thoughtfully created a place that invited people to notice.


By the time I reached the upper galleries, the windows sparkled in the Arkansas light. Had I followed the prescribed route, the drone would have been gone, and so would that unexpected conversation with my son.


As I continued through the museum, I couldn't help noticing how many remarkable women had quietly shaped the experience before me. Collectors. Curators. Artists. Architects. Visionaries.


I found myself thinking that remarkable things rarely begin remarkably.


By then I had begun noticing that the places drawing me in all had something in common. They started as unreasonable ideas. Crystal Bridges in Bentonville, the Gateway Arch reaching into the St. Louis sky, the Obama Presidential Center steadily rising in Chicago, and Milwaukee's Calatrava museum opening its white wings over Lake Michigan. Different architects. Different generations. Different ambitions. Yet each one began with someone standing on an empty piece of ground, imagining something no one else could yet see. 


I found that strangely comforting. Considering I'd spent the previous several hundred miles inventing more than a few unreasonable ideas of my own.


A few days later, my family gathered in Michigan to celebrate my father-in-law's eightieth birthday. 

Around the table sat generations of people whose lives had been shaped, in one way or another, by his steady generosity. Daughters, sons, and grandchildren each remembered something different. A helping hand. A lesson. A laugh. A time he simply showed up. Listening to their stories, I was reminded that influence rarely arrives all at once. It accumulates quietly, almost unnoticed, over a lifetime of showing up for the people around you. 


Another few days later I sat across from a dear friend as she shared the difficult health decisions she now carries almost daily.


They weren't abstract conversations. They were deeply personal ones. The kind that quietly rearrange your priorities while you're listening.


We spent hours together.


We didn't solve healthcare.


We didn't fix politics.


We didn't save the world.


We simply showed up for one another.


Driving away that afternoon, I noticed I have become less interested in saving the world and much more interested in building relationships that don't exhaust people.


The kind that become places of encouragement. The kind that make difficult seasons a little less lonely.


Later in the trip, my sisters and I climbed aboard a brand-new pontoon boat off my sister's lake dock in northern Wisconsin. 


We putted around the lake for hours with nowhere in particular to be. We watched dragonflies skimming the water, admired new docks, listened to the haunting hoot of the loons, waved to passing neighbors, laughed at stories we'd all heard before, and agreed that White Claws somehow taste better in northern Wisconsin. 


No destination. No agenda.


Just impossibly comfortable sunny weather, smooth water, a cooler of beverages, and stories we'd all heard before but somehow laughed at even harder this time.


The boat barely disturbed the lake. Neither did we.


For a couple of hours the world became wonderfully uncomplicated.


Nobody needed fixing. Nothing needed optimizing.


There was nowhere else we were supposed to be. Looking across that still water, I couldn't help wondering why adulthood spends so much time convincing us that significance must always be measured by scale.


Bigger careers. Bigger ideas. Bigger audiences. Bigger impact.


Yet the moments that stayed with me weren't bigger at all.


They were deeply human.


A lunch with a lifelong friend. A video sent to my son. An afternoon drifting with my sisters. A bookseller recommending one more novel. A friend to stroll with on the streets of Chicago.


All along the landscape had something to do with it too. Golden prairies stretched beyond certainty while glistening rivers continued solving problems they'd been solving for thousands of years.

Bluffs, towering forests, wide-open fields, and impossibly moody skies quietly reminded me that the earth has remarkable patience.


Standing in places like that makes it difficult to believe everything depends on you.


That realization felt less like surrender than relief.


By the end of the trip my Jeep had developed several new noises. She had faithfully carried me across 4,205 miles of questionable backroads, bustling cities, crackling thunderstorms, restrictive construction zones, interstate highways, striking suspended bridges, majestic mountain ranges and more than one questionable gas station lunch. By then we'd reached an understanding. I wouldn't mention the new noises if she wouldn't mention the mileage.


When I finally pulled into my driveway, I noticed something I hadn't expected.


The world hadn't become smaller. It had become more visible.


Four thousand two hundred and five miles hadn't changed the headlines waiting for me. They had simply returned them to human scale.


One family dinner.


One encouraging conversation.


One afternoon drifting across a northern Wisconsin lake.


One person at a time.


That, I noticed, is the human scale of things.

Creativity As Currency

An essay on resourcefulness, exchange, and the quiet ways value moves from one person to another.

 
 
Voice of Maasai is an independent creative studio that develops, produces, and stewards authentic East African music through long-term collaboration with artists in Tanzania.

Voice of Maasai operates under Little Lady Studio LLC, which manages and controls master and publishing rights across the catalog. All music is available for licensing for film, television, and commercial use.
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